Sunday, September 20, 2015

Woolf the Painter

The characters explored in Mrs. Dalloway are some of the most fleshed-out and intriguing I've personally encountered in literature. Woolf's uses her powertool, free-indirect discourse, and her apt writing prowess to make beautiful character portraits, whose ambiguities let the reader create their own opinions on the pieces. From this, Woolf has made for us a gallery of excellent character paintings, derived from her clues in the novel and the interpretations by the viewers.
Richard Dalloway is one character that may seem one-dimensional at first, but is saved by Woolf's prose to become multifaceted. His central conflict, his ability to tell his wife that he loves her, can be interpreted in multiple ways. Is he an amiable guy whose busy life has simply disconnected him from his love? Or is he so selfishly preoccupied with work that he under-appreciates his own spouse? Woolf's free indirect discourse tunes into the mental frequencies of the character to give a fascinating depiction of Richard, without answering our biggest questions up front.
Septimus is another whose detailed dualities leave the reader with plenty to think about. The noble poet and his story of going off to war leaves an unusual taste; was his quest being mocked by Woolf or simply playing a part in her overall critique of war? The passage where she accounts his motives and wartime activities assaults the reader with bitter visions of war along with strange activities by Septimus at the same time. One example would be when Evans dies and Septimus feels nothing, and even congratulates himself for it. Woolf manages to show the awful consequences of war while displaying an ambiguous picture of her character, blurring the lines of Septimus's disturbing lack of feeling with the overarching villainy of war. Septimus's death also treads a middle path between tragedy and his own expression. The setup prior to his suicide does remind one of a tragic storyline, with his tender interactions with Lucrezia and such, but the actual death and his activities elsewhere in the novel express many feelings different feelings on life. His observations flip between beautiful and utterly confusing, and for every optimistic tinge in his thoughts there is a comment on the inevitablity of his death. Woolf never makes it seem as though suicide can be the only way out, as her writing for Septimus's mind seems to change his course of fate every few sentences. Her writing skill fills out the colors each of the characters dilemmas, so that none of them feel unexplored, but none are set in stone either.        



5 comments:

  1. When we read one of Woolf's essays on how one should develop characters by showing rather than telling, I'll admit I came away with high expectations for her characters in Mrs. Dalloway. But, like you, Woolf did not disappoint me. I appreciated how fully fleshed out her characters were, without her deliberately telling us their life story. We were left to piece together the fragmented lives of Clarissa, Richard, Peter, Septimus, Reiza, and many more characters. Like you, I too believe that Virginia has painted a wonderful painting of all her characters for all of us to marvel at.

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  2. Septimus' character was certainly interesting. I think that because Woolf gave us such a deep look into him, that we could further empathize with him and understand him. As you said, we could see the fluctuations in his mood, and it really does give us an insight into his condition. Especially for people during that time period when shell-shock was such a controversial issue. But because Woolf gives such a good depiction of all of her characters, we suddenly understand so much more and are given so much more information.

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  3. I like how you say Virginia Woolf is an painter. This fits with the talent and artistic ability that is needed to create her characters. I think the title of architect could work as well because each time we learn something new about a character it is like another floor of a building. Woolf's characters are her buildings, and she continues to expand on the designs showing us that they are more than just one floor. Her creation of these characters honestly cannot be put into justifying words since it is truly a work of art.

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  4. You bring up a good point; I think Woolf's judgmental tone when speaking about young Septimus is often overlooked. While she is sympathetic towards him and especially identifies with his mental state after the war, she dismisses his passions and dreams as a child as folly. I think her reasoning is that the pride and naivety of these young men who volunteer for war ultimately results in an avoidable demise.

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  5. It's a good point to be said that Woolf does leave some characters "open-ended" in interpretation, for sure. Though I did find Richard more sympathetic in his plight on being able to say 'I love you' to Clarissa, the viewpoint of him neglecting his spouse and therefore not understanding her is a valid one. She definitely does craft some interesting characters!

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